While in trance he sees a black dog come into the room, feels the dog, goes to the telephone and tells its owner to come get it. The dog is of course purely imaginary. We give him electric shock which would be torture to a normal person, but he does not even notice it. We straighten him out between two chairs and sit on his chest while he recites poetry. Then we wake him up. He immediately starts talking about that boxing match! A visitor to the laboratory interrupts him.
"What do you know of hypnotism?"
The subject looks surprised, "Why, nothing." "When were you hypnotized last?"
"I have never been hypnotized."
"Do you realize that you were in a trance just ten minutes ago?"
"Don't be silly! No one has hypnotized me and no one ever can.''
"Do you mind if I try?"
"Not at all. If you want to waste your time it's all right with me."
So the visitor, a good hypnotist, tries, but at every test the subject simply opens his eyes with a bored grin. Finally he gives up the attempt and everyone is seated as before. Then the original operator taps on the table with his pencil. Immediately the subject is in deep hypnotism.
We now add another concept. We can coach the subject so that in the trance he will behave exactly as in the waking state. Under these circumstances we could defy anyone, even a skilled psychologist, to tell whether the subject was "asleep" or "awake." There are tests which will tell the story but in warfare we cannot run around sticking pins into everyone we meet just to see if he is normal. So rapid can this shift be from normal to trance state [the programming state], and so "normal" will the subject appear in trance, that the writer has used such a subject as a bridge partner. He plays one hand in trance and one hand "awake" with no one any the wiser. [This happens with Monarch slaves all the time. Few people ever catch on that alters are under trance.]
Suppose we deliberately set up that condition of multiple personality to further the ends of military intelligence. Let us start with a very simple illustration. For example, we can hypnotize a man in an hotel in, say, Rochester. We then explain to him in hypnotism that we wish the numbers and state names of all out-of-state cars parked in the block surrounding the hotel. He is to note these very carefully in his unconscious mind but will have no conscious memory of having done so. Then we awaken him and ask him, in the waking state to go out and get us a tube of toothpaste. He leaves the hotel and wanders around the block in search of that tube. Finally, he returns, apologizing for his delay, saying that it was necessary for him to go entirely around the block before he noticed a drugstore in the very building itself. This, he says, was very stupid of him but apparently men are made that way. Did he notice anything of interest as he made his walk? "Nothing! Oh, yes, there was a dog fight down at the corner." And he described the battle in detail.
We now hypnotize him. He knows what we are seeking and at once proceeds to give us numbers and states of strange cars, very pleased with the fact that he can recall thirteen. He evidently enjoys the game immensely and is quite proud of his memory.
Then we awaken him and see what he knows in the conscious state. "How many cars are there around the building?" "I don't know." "What are the numbers of the out-of-state licenses around the building?" "Good heavens, I have no idea. I think there is a California car near the front entrance, but I have no idea as to its number." A friend tries his hand. "Now look here. You were hypnotized half an hour ago and you left this room under posthypnotic suggestion." The subject gets irritated. "Look here yourself. I'm getting tired of that silly joke. This is the third time today you've pulled it. All right. I was hypnotized and saw pink elephants all over the lobby. Have it your way." And the subject sits down to a magazine, obviously angry that this man cannot find something more amusing to say.
Often the hypnotic subject will react in this manner. Push him just a little too far and he becomes irritated, obviously a trick of the unconscious to end the argument and avoid any danger of being found out....
The reader's very natural reaction is, "Why all this rigmarole?"... There are certain safeguards if we use hypnotism. First, there is no danger of the agent's selling out. More important would be the conviction of innocence which the man himself had, and this is a great aid in many situations. He would never "act guilty" and if ever accused of seeking information would be quite honestly indignant. This conviction of innocence on the part of a criminal is perhaps his greatest safeguard under questioning by the authorities. Finally, it would be impossible to "third degree" him and so pick up the links of a chain. This is very important, for the most hardened culprit is always liable to "talk" if the questioners are ruthless enough.
The Super Spy
In the instance we are about to outline, we may or may not be dealing with multiple personality.... The little experiment I have just cited could be successful with any good somnambulist and would require about ten hours preparation. The example I now cite would work only with a certain number of the very best somnambulists and instead of ten hours preparation, we had better allow ten months....
Perhaps we had better start by defending our position. Is it unethical? Perhaps, but science merely states the facts.... Now let us return to our presentation.
We start with an excellent subject, and he must be just that, one of those rare individuals who accepts and who carries through every suggestion without hesitation. In addition, we need a man or a woman who is highly intelligent and physically tough. Then we start to develop a case of multiple personality through the use of hypnotism.
In his normal waking state, which we will call Personality A, or PA, this individual will become a rapid communist. He will join the party, follow the party line and make himself as objectionable as possible to the authorities. Note that he will be acting in good faith. He is a communist, or rather his PA is a communist and will behave as such.
Then we develop Personality B (PB), the secondary personality, the unconscious personality, if you wish, although this is somewhat of a contradiction in terms. This personality is rabidly American and anti-communist. It has all the information possessed by PA, the normal personality, whereas PA does not have this advantage....
The proper training of a person for this role would be long and tedious, but once he was trained, you would have a super spy compared to which any creation in a mystery story is just plain weak. This is what the Illuminati have done. They create good Christian fronts, with Illuminati dark alters who can see what the Christians are doing.] My super spy plays his role as a communist in his waking state, aggressively, consistently, fearlessly. But his PB is a loyal American, and PB has all the memories of PA. As a loyal American, he will not hesitate to divulge those memories, and needless to say we will make sure he has the opportunity to do so when occasion demands.
Here is how this technique would work .... [skipping this story and several others, we come to:] We choose a good subject and then let him in on the plot. We disclose to him that he is an excellent hypnotic subject and we wish to use him for counterespionage. We suspect that in the near future someone is going to try hypnosis on him. He is to bluff, to co-operate to the very best of his ability, fake every test that is made and stay wide awake all the time. The test we fear most is that of an analgesia--insensitivity to pain. So we coach him carefully with posthypnotic suggestions to the effect that even when wide awake and bluffing he will be able to meet every test which may be made here, be it with ammonia under the nose, a needle, or worst of all, the use of electricity, which can be made extremely painful and is easy to use.
Under these circumstances it will be virtually impossible to tell whether this man is bluffing or really in trance. [The story continues that the master hypnotist thinks he has got a good subject and has hypnotized him deep. Then the subject tells him that he was only bluffing. The whole affair provides a nightmare for any counterintelligence group using hypnotism. They can be totally bluffed, unless they turn to high tech equipment to see what is really happening.]
Estabrooks also explains how a man can be hypnotized and told he is only testing the preparedness of security. He is told he has a fake bomb, but is really given a real bomb. The subject is sent to a location, and blows up with the real bomb. The subject blows up with the bomb so the evidence of the hypnotic lie is lost.
Hypnosis changes the threshold of the how the senses perceive. Sensitivity can be increased or decreased, hallucinations can be perceived even though there is the absence of any appropriate stimuli, and things that exist can go unperceived by the mind. For instance, alters who are used for porn are hypnotized not to see the camera. Alters used for any type of sexual service are hypnotized repeatedly to not see faces. The slave will actually see blurs where people's faces are.
The Programmers like to manipulate. Children are set in front of circus mirrors that make them taller or smaller for programming. They are set in front of mirrors which duplicate their image. Here in Oregon, there is a site with a magnetic anomaly which bends light. It is called the Oregon Vortex. The Programmers take small children there for programming. Anything that creates an illusion, seems to be noticed by the Programmers and is put to use somehow.
The CIA has employed magicians like John Mulholland to help them create illusions. Magician John Mulholland wrote a manual for the CIA on how to deceive unwitting subjects. Under drugs and hypnosis, when a small child is set in front of a mirror that elongates its body and or then shortens, the reality of the programming script seems real. The programmer can hypnotically call upon the child's mind to totally hallucinate seeing something, or he can support the illusion by handing the child a doll and telling it that it is a child, or handing the child a pencil and telling the child it is a flower. A great deal of acting and props are used during the programming.
What child can tell fool's gold from real gold? The bottom line is that generally, no matter which way the Programmers do it, whether by an illusion or an outright hypnotic-suggested hallucination, the event for the child is real. The majority of traumas are real events, but the scripts that are given are after the trauma are fictional.
Creativity is a function of attentiveness, playfulness, anxiety, limitations, relaxation, the trance state, responsiveness and absorption. A good programmer can assist or boost the creativity of the child. The programmer can tell stories and programming scripts in a vivid way, so that the sensory pictures are bold and strong. The child can taste and feel and touch in their minds the script being given them. Besides the language of the programmer other aids such as fear and drugs can enhance a victim's attentiveness. Playfulness comes naturally to children. They naturally pretend and use fantasy in their play. Because children are innately creative they are far easier to program.Researchers have also discovered that creativity needs an element of anxiety and chaos in the person's life. If everything is orderly and in perfect harmony, the creative juices will not flow. The conscious mind and the subconscious mind need to grapple. For creativity to be productive it must occur within limits. For instance, the concerto is created within the limits of a piano keyboard.The programmer, and the Grande Dame and the Grande Mother of the Illuminati victim carefully guide the child's creativity and set limits. The spark of creativity occurs when there is an alternation of intense concentration and relaxation. The programmers must work back and forth between torture and kindness.
A light trance will allow the mind to surface -creative ideas. That is why writers and composers get ideas when they are in a light trance driving, in a light sleep, or shaving or some other place where a light trance occurs. Receptivity is the willingness to accept a creative idea when it comes. The final part of creativity is one's absorption into the process of creativity. The artist may get so immersed into the portrait that he is painting that the portrait seems alive and real--the actual person. This immersion, where things imagined become real, is important to keep the creative juices flowing.The hypnotist/programmer can enhance the creative process by giving the child positive encouragement to reduce their fears and inhibitions to creativity. The programmer could say to the older child (a younger child might be told something else),"You take all of your fear of not being creative and put them into a sack. The sack now becomes a bundle of energy. Now imagine you are opening the sack and out of the sack comes a rainbow of energy. It is powerful, it is positive. You are now full of new ideas. You can feel this power surge through your body. Your mind is now clear and focused, focused, you feel confident, sure of your talent and eager to set your new ideas into motion, and you control the energy in your life, you are very successful in controlling the energy in your life...you take a few breaths and relax. You notice the neighborhood around you, there is a beautiful park, you begin to notice how beautiful the day is, and you begin to feel a fresh new energy flowing through your body...the more calm you become the more enthusiastic and creative you become...you will feel free to create, to enjoy your creative talent, to invent, to shape, and form new and wonderful ideas."This is not to say that the Illuminati programmer or Mother of Darkness assistant will use this type of hypnotic suggestions, but sometimes it does become necessary to teach some children how to dissociate, and how to become creative. If they do not develop these abilities, they may lose their life to the torture.
The Vital Role of Movies for Hypnotizing Small Children
As mentioned before, the hypnotist will find children easier to hypnotize if they know how to do it with small children. One method that is effective is to say to the small children, "Imagine you are watching a favorite television show." This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child's mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts.
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