Isn't this story line convenient for programming?
Pg. 94 Book 3 Ozma of Oz:
"...Langwidere to a position in front of cupboard No. 17, the Princess unlocked the door with her ruby key and after handing head No.9, which she had been wearing, to the maid, she took No. 17 from its shelf and fitted it to her neck....There was one trouble with No. 17; the temper that went with it (and which was hidden...)was fiery, harsh and haughty in the extreme, and it often led the Princess to do unpleasant things which she regretted when she came to wear her other heads."
Does the reader see how this is programming to switch personalities. And personality No. 17 is locked up--which is a common programming methodology. The fiery, harsh anger--those are the demonic imps that the victim is coached to accept as normal which are layered in. (See chapter 10).
Pg. 98 Book 3 Ozma of Oz:
"'To hear is to obey,' answered the big red colonel, and caught the child by the arm."
pg. 99 Book 3 Ozma of Oz, "...the colonel had by this time managed to get upon his feet again, so he grabbed fast hold of the girl and she was helpless to escape."
Pg. 102 Book 3 Ozma of Oz:
"Once a cyclone had carried her across it, and a magical pair of silver shoes had carried her back again."
Pg. 103 Book 3 Ozma of Oz:
"Fist came a magnificent golden chariot, drawn by a great Lion and an immense Tiger, who stood shoulder to shoulder and trotted along as gracefully as a well-matched team of thoroughbred horses. And standing upright within the chariot was a beautiful girl clothed in flowing robes of silver gauze and wearing a jeweled diadem upon her dainty head. She held in one hand the satin ribbons that guided her astonishing team, and in the other an ivory wand that separated at the top into two prongs, the prongs being tipped by the letters '0' and 'Z', made of glistening diamonds set closely together."
The way this was used for programming is that guard alters are made out of kittens, who believe they are fierce tigers and lions and other wild cats. Ozma, represents the Illuminati Queen Mother with her crown and scepter.
Pg. 104 Book 3 Ozma of Oz:
On this page we see Ozma of Oz, the Scarecrow, the Saw-Horse, the Tin Woodman, and soldiers. These characters were used in the programming. Toward the bottom of the page is something that was built into the Systems so that alters would stay in place in their internal world, "...the green carpet rolled itself up again...In order that their feet might not come in contact with the deadly, life-destroying sands of the desert."
Pg. 117 Book 3 Ozma of Oz:
"Dorothy took the key to Tiktok from her pocket and wound up the machine man's action, so that he could bow properly when introduced to the rest of the company."
Pg. 119-120 Book 3 Ozma of Oz:
'Let me introduce to you a new friend of mine, the Hungry Tiger."...he displayed two rows of terrible teeth and a mouth big enough to startle anyone.' 'Dreadfully hungry," answered the Tiger, snapping his jaws together with a fierce click."' This is programming for deeper cats in an alter system. The next page tells how this is used to teach the child alter cannibalism. "...the tiger. "For my part, I'm a savage beast, and have an appetite for all sorts of poor living creatures, from a chipmonk to fat babies.' 'How dreadful!' said Dorothy. 'Isn't it, though?' returned the Hungry Tiger licking his lips with his long red tongue. 'Fat babies! Don't they sound delicious? ...If I had no conscience I would probably eat the babies and then get hungry again, which would mean that I had sacrificed the poor babies for nothing....For it is the nature of tigers to be cruel and ferocious, and in refusing to eat harmless living creatures I am acting as no good tiger has ever before acted."This part of the book is used to help teach the child alters which think they are tigers to be cannibalistic and actually participate in eating babies. This is all filmed to be used against the mind-controlled slave.
Pg. 130-3 1 Book 3 Ozma of Oz:
'No one knows, exactly,' replied the Princess. 'For the King, whose name is Roquat of the Rocks, owns a splendid palace underneath the great mountain which is at the north end of this kingdom, and he has transformed the queen and her children into ornaments and bric-a-brac with which to decorate his rooms.'" 'I'd like to know," said Dorothy, 'Who this Nome King is?'" 'I will tell you, replied Ozma. 'He is said to be the Ruler of the Underground World, and commands the rocks and all that the rocks contain. Under his rule are many thousands of the Nomes, who are queerly shaped but powerful sprites that labor at the furnaces and forges of their king, making gold and silver and other metals which they conceal in the crevices of the rocks, so that those living upon the earth's surface can only find them with great difficulty. Also they make diamonds and rubies and emeralds, which they hide in the ground; so that the kingdom of Nomes is wonderfully rich, and all we have of precious stones and silver and gold is what we take from the earth and rocks where the Nome King has hidden them....the Ruler of the Underground World is not fond of those who live upon the earth's surface, and never appears among us. If we wish to see King Roquat of the Rocks, we must visit his won country, where he is all powerful, and therefore it will be a dangerous undertaking....the furnaces of the Nome King....a single spark of fire might destroy me entirely.' 'The furnaces may also melt my tin,' said the Tin Woodman; but I am going."' 'I can't bear heat,' remarked the Princess... "This is used to program in the dwarfs who mine the jewels (programs). The dwarfs are often demonic imps or gnomes, rather than being real alters. Notice that the story line fits in beautifully with the Hell Pit that the Programmers so often put at the basement of people's minds. The Hell Pit would have programming to make someone burn. If someone approaches where the Dwarfs live (which is deep underground--deep in the mind) they will burn. Notice again the words diamonds, rubies, emeralds, silver and gold which are all parts of programming codes.
Pg. 139 Book 3 Ozma of Oz:
'But I know enough to obey my masters, and to gid-dup, or whoa, when I'm told to."
This is teaching obedience. "Lower down the table were the twenty-seven warriors of Oz." This was used to create alters within the internal world.
Pg. 147-148 Book 3 Ozma of Oz:
The form was that of a gigantic man built out of plates of cast iron, and it stood with one foot on either side of the narror road and swung over its right shoulder an immense iron mallet, with which it constantly pounded the earth. These resounding blows explained the thumping sounds they had heard, for the mallet was much bigger than a barrel, and where it struck the path between the rocky sides of the mountain it filled all the space through which our travelers would be obliged to pass. Of course they at once halted, a safe distance away from the terrible iron mallet. The magic carpet would do them no good in this case, for it was only meant to protect them from any dangers upon the ground beneath their feet, and not from dangers that appeared in the air above them.
"Wow!" said the Cowardly Lion, with a shudder. "It makes me dreadfully nervous to see that big hammer pounding so near my head. One blow would crush me into a door-mat." "The ir-on gi-ant is a fine fellow," said Tiktok, "and works as stead-i-ly as a clock. He was made for the Nome King by Smith & Tin-ker, who made me, and his du-ty is to keep folks from find-ing the un-der-ground pal-ace. Is he not a great work of art?"... "No," replied the machine; "he is only made to pound the road, and has no think-ing or speak-ing at-tach-ment. But he pounds ve-ry well, I think."... "Is there no way to stop his machinery?" "On-ly the Nome King, who has the key, can do that," answered Tiktok....Meanwhile the giant continued to raise his iron mallet high in the air and to strike the path terrific blows that echoed through the mountains like the roar of cannon."
This was used as the script to place in Thor, a giant who protects the programming. Very severe split brain headaches are programmed to occur to the victim, whenever the internal Thor pounds his hammer. If the programming is threatened, Thor and the imps (demons) appear, to protect it. There are an entire series of events using programming and obedient alters that takes place to protect the programming, if it is ever threatened.
Pg. 159 Book 3 Ozma of Oz:
"There was no reply, except that the shifting Nomes upon the mountain laughed in derision. 'You must not command the Nome King.' said Tiktok, 'for you do not rule him, as you do your own people.' "
The purpose of this part is to prepare the child's alters to accept that internal Queens and other leading alters do not rule the demons that are placed into their system, and are not to order them around. Pg. 163 Book 3 Ozma of Oz:
"In the center of this room was a throne carved out of a solid boulder of rock, rude and rugged in shape but glittering with great rubies and diamonds and emeralds on every part of its surface. And upon the throne sat the Nome King. pg. 167 Book 3 Ozma of Oz, on this page is a picture of the Nome King telling Dorothy and Ozma that, "They belong to me and I shall keep them."
In other words, the imps and their jewels belong to the king of the demons. Around his throne are steps with gems, and this imagery was used to build the internal gems in a system, with Satan/the AntiChrist's throne at the top of the stairs.
Pg. 170 Book 3 Ozma of Oz:
"Although this army consisted of rock-colored Nomes, all squat and fat, they were clothed in glittering armor of polished steel, inlaid with beautiful gems. Upon his brow each wore a brilliant electric light, and they bore sharp spears and swords and battle-axes if solid bronze. It was evident they were perfectly trained, for they stood in straight rows, rank after rank, with their weapons held erect and true, as if awaiting but the word of command to level them upon their foes." 'This,' said the Nome King, 'is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose."
This was to help build acceptance within the child of the layering of armies of demons.
Pg. 180, Book 3 Ozma of Oz:
"For upon the edge of the table rested a pretty grasshopper, that seemed to have been formed from a single emerald."
The next page has a picture of a grasshopper wearing a hat and many shoes. This was used to help the victim take the hypnotic suggestion that their programmer was a grasshopper, a cricket. Mengele used a clicker which helped with this hypnotic suggestion too.
Pg. 182-183 Book 3 Ozma of Oz:
"...the King returned to his throne.... they were greatly Page 115 .... disheartened by...the knowledge that she was now an ornament in the Nome King's palace--a dreadful, creepy place in spite of all its magnificance. Without their little leader they did not know what to do next, and each one, down to the trembling private of the army, began to fear he would soon be more ornamental than useful....' Never mind,' said the jolly monarch. 'If he doesn't care to enter the palace...I'll throw him into one of my fiery furnaces.'
Pg. 184 Book 3 Ozma of Oz:
"...twenty-six officers filed into the palace and made their guesses---and became ornaments." Story line used to program parts to become useful ornaments. "...he wore a heavy gold chain around his neck to show that he was the Chief Steward of the Nome King..."
Many of the abusers signify their power to the slaves, by wearing a gold chain around their neck.
Pg. 186 Book 3 Ozma of Oz:
On this page it states that some magical power gave the King the ability to know all that took place in his palace. By crediting their abilities to an occult magical dimension, the programmers enhanced their appearance of power to the child victim.
Pg. 192 Book 3 Ozma of Oz:
On this page and the surrounding pages, the people who have become ornaments are also assigned colors. The Queen of Ev "are all ornaments of a royal purple color." and "all those people from Oz into green ornaments."
Pg. 194 Book 3 Ozma of Oz:
'If I wore the magic belt which enables you to work all your transformations, and gives you so much other power....What color will you make the Kansas girl? asked the Steward. 'Gray, I think,' said his Majesty. 'And the Scarecrow and the machine man?' 'Oh, they shall be of solid gold, because they are so ugly in real life.'
This was the script to bring in the color programming. Color programming is discussed in the Structuring chapter (7) and the Internal Controls chapter (11) dealing with the internal computers, and in chapter 4 where the codes are given.
Pg. 192 Book 3 Ozma of Oz:
'What more do you want?' demanded the King. 'A fat baby. I want a fat baby,' said the Hungry Tiger. 'A nice, plump, juicy, tender, fat baby.' When the alters are forced to accept that they are tigers and other cats, then they are encouraged (forced) into cannibalism.
Pg. 200 Book 3 Ozma of Oz:
"So Tiktok touched a yellow glass vase that had daisies painted on one side, and he spoke at the same time the word 'Ev.' .... In a flash the machine man had disappeared,..."
This was part of the programming to introduce daisies and switching.
Pg. 201 Book 3 Ozma of Oz:
"Next she touched the image of a purple kitten that stood on the corner of a mantel, and as she pronounced the word 'Ev' the kitten disappeared, and a pretty, fair-haired boy stood beside her."
This is teaching the switching of alters and their color programming.
We will stop our coverage of the Ozma of Oz book here. We have only partially covered only two of the 14 Oz books, all of which were used as programming scripts. There are many more sections in this series of 14 books that served as programming scripts, but the reader has got the basic idea. It is still important to go over how some of the other books were used in programming, so that the reader begins to see how the story lines assist in programming, and how the story lines are so frequently tied together from perhaps 12 different stories to reinforce one alter's programming.
Alice Through the Looking Glass 'I can't believe that!' said Alice. 'Can't you?' the Queen said in a pitying tone. 'Try again: draw a long breath, and shut your eyes.' Alice laughed. 'There's no use trying,' she said. 'One can't believe impossible things.' 'I dare say you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast."
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