Pg. 45 Book 1 The Wizard of Oz:
"It was a lonely life to lead, for I had nothing to think of, having been made such a little while before."This is part of the script read a new alter.
Pg. 48 Book 1 The Wizard of Oz:
"So the Scarecrow led her through the trees until they reached the cottage, and Dorothy entered and found a bed of dried leaves in one corner. She lay down at once, and with Toto beside her, soon fell into a sound sleep. the Scarecrow who was never tired, stood up in another corner and waited..."This was used to program part of a script for an Illuminati ceremony.Pg. 57 Book 1 The Wizard of Oz:"So the old woman went to the wicked Witch of the East, and promised her two sheep and a cow if she would prevent the marriage. Therefore, upon the wicked Witch enchanted my axe, and when I was chopping away...the axe slipped all at once and cut off my left leg.
"This at first seemed a great misfortune, for I knew a one-legged man could not do very well as a woodchopper. So I went to a tinsmith and had him make me a new leg out of tin. The leg worked very well, once I was used to it; but my action angered the wicked Witch of the East, for she had promised the old woman I should not marry the pretty Munchkin girl. When I began chopping again my axe slipped and cut off my right leg. Again I went to the tinner, and again he made me a leg out of tin. After this the enchanted axe cut off my arms, one after the other; but, nothing daunted, I had them replaced with tin ones. The wicked Witch then made the axe slip and cut off my head, and at first I thought that was the end of me. But the tinner happened to come along, and he made me a new head out of tin."This is an Illuminati ceremony script done by Dr. Mengele with children at a very young age. It was a blood oath to "Green" that if they let anyone touch the programming they would cut themselves.
Pg. 58 Book 1 The Wizard of Oz:"...splitting me into two halves. Once more the tinner came to my help and made me a body of tin, fastening my tin arms...But alas! I had now no heart, so that I lost all my love for the Munchkin girl... I had known was the loss of my heart. While I was in love I was the happiest man on earth; but no one can love who has not a heart, and so I am resolved to ask Oz to give me one."
Pg. 66 Book 1 The Wizard of Oz:The Scarecrow, the Tin Woodsman and Dorothy expect that the Wizard of Oz can give a brain, a heart, and send Dorothy back to Kansas. Under programming the Master as the Wizard can give alters what he wants including sending them back to Kansas (their internal reality).Pg. 77 Book 1The Wizard of Oz,"...they could see the road of yellow brick running through a beautiful country, with green meadows dotted with bright flowers and all the road bordered with trees hanging full of delicious fruits."This is used for the imagery of the yellow brick road. Pg. 87
Book 1 The Wizard of Oz:"Scarlet poppies...their odor is so powerful that anyone who breathes it falls asleep, and if the sleeper is not carried away from the scent of the flowers he sleeps on and on forever. But Dorothy did not know this, nor could she get away from the bright red flowers that were everywhere about; so presently her eyes grew heavy and she felt she must sit down to rest and to sleep."This is an important part of the programming. This is the story line for trancing deep.
Pg. 112 Book 1 The Wizard of Oz:"Then the Guardian of the Gates put on his own glasses and told them he was ready to show them to the palace. Taking a big golden key from a peg on the wall he opened another gate, and they all followed him through the portal into the streets of the Emerald City.
"This is helpful imagery in setting up the internal Emerald City and its guards.
Book 3. Ozma of Oz Pg. 20 Book 3 Ozma of Oz:"But the wind, as if satisfied at last with its mischievous pranks, stopped blowing this ocean and hurried away to another part of the world to blow something else; so that the waves, not being joggled any more, began to quiet down and behave themselves."Used to create protective programming, notice how the wind is personified.
pg. 23 Book 3 Ozma of Oz:"So she sat down in a corner of the coop, leaned her back against the slats, nodded at the friendly stars before she closed her eyes, and was asleep in half a minute." Alters may be trained to trance when placed in a corner.Pg. 27 Book 3 Ozma of Oz:"No, indeed; I never care to hatch eggs unless I' ve a nice snug nest, in some quiet place, with a baker's dozen of eggs under me. That's thirteen, you know, and it's a lucky number for hens. So you may as well eat this egg."230This has been used often to get 13 splits when torturing. Many Illuminati Systems were set up on 13 grids.
Pg. 30 Book 3 Ozma of Oz:"Next to the water [programming cue to build Atlantis] was a broad beach of white sand and gravel [programming cue to build Troy], and farther back were several rocky hills, while beyond these appeared a strip of green trees [programming cue to build a green forest] that marked the edge of a forest. But there were no houses to be seen, nor any sign of people [programming cue for alters to be invisible] who might inhabit this unknown land."This page along with others near it, have been used to build the structures in the internal world of Illuminati slaves. In brackets are a sample of how it could be used when building an internal world.
Pg. 34 Book 3 Ozma of Oz":
"Why eating live things....You ought to be ashamed of yourself!" "Goodness me!" returned the hen, in a puzzled tone; how queer you are, Dorothy! Live things are much fresher and more wholesome than dead ones, and you humans eat all sorts of dead creatures."This is used to encourage cannabalism. Pg. 35 Book 3 Ozma of Oz:"...a large sized golden key."To encourage the imagery of golden keys, which are used frequently in the internal system.The next chapter "Letter in the Sand" has singing trees in it, which have been popular items for the Illuminati due to their druid beliefs.
Pg. 39 Book 3 Ozma of Oz:
"Bye, bye, and bye, when she was almost in despair, the little girl came upon two trees that promised to furnish her with plenty of food. One was quite full of square paper boxes, which grew in clusters on all the limbs, and upon the biggest and ripest boxes the word 'Lunch' could be read, in neat letters. The tree seemed to bear all the year around, for there were lunch-box blossoms on some of the branches, and on others tiny little lunch-boxes that were as yet quite green, and evidently not fit to eat."
Boxes are built internally in the slave's mind and a box will contain a program. The food is the programming that the slave is to eat and digest. The programming in the box might be songs, nursery rhymes, or a poem or anything. (On page 41, there is a full page picture of a girl picking a lunch-pail from a tree limb to eat it.)
Pg. 40 Book 3 Ozma of Oz:
"The little girl stood on tip-toe and picked one of the nicest and biggest lunch-boxes, and then she sat down upon the ground and eagerly opened it. Inside she found, nicely wrapped in white papers, a ham sandwich, a piece of sponge-cake, a pickle, a slice of new cheese and an apple. Each thing had a separate stem,..."
The lunch-boxes on the tree are the programs which the programmers put in. The stems are what link the programming stories together in the child's mind.
Pg. 42 Book 3 Ozma of Oz:
"I had a pair of silver shoes, that carried me through the air. ..said Dorothy."
In the programming silver shoes are used as cues to go into altered states (i.e. through the air.)
Pg. 44 Book 3 Ozma of Oz:
"embroidered garments of many colors" Color programming for the ribbons.
Pg. 47 Book 3 Ozma of Oz:
"We'll get you in time, never fear! And when we do get you, we'll tear you into little bits." "Why are you so cruel to me? asked Dorothy. "I'm a stranger in your country, and have done you no harm." "No harm!" cried one who seemed to be their leader. "Did you not pick our lunch-boxes and dinner pails? Have you not a stolen dinner-pail still in your hand? ...it is the law here that whoever picks a dinner-pail without our permission must die immediately."
The programming message to all of this is that no one had better touch the dinner-pails which represent the programs or they are to die immediately. Armies like in the story guard the internal programming of the slave.
Pg. 51 Book 3 Ozma of Oz:
These pages describe a crack in rocks that is a door. This is used for Petra programming.
Pg. 52 Book 3 Ozma of Oz:
"golden key"..."within the narrow chamber of rock was the form of a man--or, at least, it seemed like a man...his head and limbs were copper. Also his head and limbs were copper, and these were jointed or hinged to his body in a peculiar way, with metal caps over the joints, like the armor worn by knights in days of old."
These are a System's robots which are said by the programmers to be friends, and which are invisible. You can see other people's robots but not one's own internal robots. Pg. 53 Book 3 Ozma of Oz:
"This copper man is not alive at all." The clone robots are made to think they are not alive, but just robots. In reality they are little child alters suited up to think they are robots.
Pg. 55 Book 3 Ozma of Oz:
"...back view of the copper man, and in this way discovered a printed card that hung between his shoulders, it being suspended from a small copper peg at the back of his neck."
The robots are put in by a combination of several stories. The deep sea divers of 20,000 Leagues Under the Sea, and the Wizard of Oz's Copper Man reinforce each other.
"Extra Responsive Mechanical man fitted with our special clock-work attachment. Thinks, Speaks, Acts, and Does Everything but Live. Manufactured only at our Works at Evna, Land of Ev. All infringements will be promptly Prosecuted according to Law."
This huge sign is part of the robotic programming the clone robots receive. Notice that they are drilled into total obedience--all infringements will be promptly Prosecuted. Obey the law that your Master gives you.
Pg. 56 Book 3 Ozma of Oz:
"DIRECTIONS FOR USING For THINKING:
--Wind the Clock-work Man under his left arm, (marked No. 1)
For SPEAKING: --Wind the Clock-work Man under his right arm, (marked No. 2)
For WALKING: --Wind Clock-work in the -middle of his back, (marked No. 3)
N.B.--This Mechanism is guaranteed to work perfectly for a thousand years."
These instructions were used to build Dr. Green's (Mengele's) boxes and the robots.
Pg. 58 Book 3 Ozma of Oz:
"The words sounded a little hoarse and creakey, and they were uttered all in the same tone, without any change of expression whatever; but both Dorothy and Billina understood them perfectly."
This was used to program the internal robots to speak in unison and to repeat themselves.
Pg. 60 Book 3 Ozma of Oz:
"After that I re-mem-ber noth-ing until you wound me up a-gain."
The internal robots forget and then are prepared again for war. Pg. 62 Book 3 Ozma of Oz:
"From this time forth I am your o-be-di-ent servant. What-ev-er you com-mand, that I will do will-ing-ly--if you keep me wound up."
This is used to teach the internal robots obedience to their programming.
Pg. 67 Book 3 Ozma of Oz:
"Within the pail were three slice of turkey, two slices of cold tongue, some lobster salad, four slices of bread and butter, a small custard pie, an orange and nine large strawberries and some nuts and raisins. Singularly enough, the nuts in this dinner-pail grew already cracked, so that Dorothy had no trouble in picking out their meats to eat."
This is given to front alters as the front programming so that they see the programs as only "fruit".
Pg. 68 Book 3 Ozma of Oz:
"Do the lunch-box trees and the dinner-pail trees belong to the Wheelers? the child asked Tiktok, while engaged in eating her meal. 'Of course not,' he answered. 'They belong to the roy-al fam-il-y of Ev, on-ly of course there is no roy-al fam-il-y just now be-cause King Ev-ol-do jumped in-to the sea and his wife and ten children have been trans-formed by the Nome King...you will find the roy-al 'E' stamped up-on the bottom of ev-er-y din-ner pail."
The Nome King in the programming became the ruler of the demons/system within the Monarch system. Several story lines from a number of sources are overlapped to reinforce the programming scripts. The programmers will use other stories to introduce themselves into the system too. In case readers don't know, a Monarch system will have hidden powerful alters that are made in the image of their programmers, that serve as personal representatives of the programmers.
Pg. 79 Book 3 Ozma of Oz:
"I am only a ma-chine, and can-not feel sor-row or joy, no mat-ter what hap-pens." This is teaching mechanical dissociation, and coincides with Tin Man programming.
Pg. 83 Book 3 Ozma of Oz:
"For the Princess Langwidere is a different person every time I see her, and the only way her subjects can recognize her at all is by means of a beautiful ruby key which she always wears on a chain attached to her left wrist. When we see the key we know we are beholding the Princess." "That is strange," said Dorothy, in astonishment. "Do you mean to say that so many different princesses are one and the same person?" "Not exactly," answered the Wheeler. "There is, of course, but one princess; but she appears to us in many forms, which are all more or less beautiful."
Doesn't this sound like MPD! Did Frank Baum know about MPD?
Pg. 90 Book 3 Ozma of Oz:
"Princess Langwidere's sitting-room was panelled with great mirrors, which reached from the ceiling to the floor; also the ceiling was composed of mirrors, and the floor was of polished silver that reflected every object upon it. So when Langwidere sat in her easy chair and played soft melodies upon her mandolin, her form was mirrored hundreds of times, in walls, and ceilings and floor, and whichever way..."
This is the mirror programming that has been done to so many victims!
Pg. 91 Book 3 Ozma of Oz:
"Now I must explain to you that the Princess Langwidere had thirty heads."
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