Songs & Nursery Rhymes Used As Triggers (note all of these songs have been used on other slaves too.)
Songs with Monarch programming meaning & access parts soliciting behavior or thinking include:
- Brahm’s Lullaby
- Hickory, Dickory Dock (flips the system)”Hickory, Dickory Dock, The Mouse Ran up the Clock [computer], the clock struck one [time for system rotation], The Mouse ran down, Hickory Dickory Dock.” “INTO THE MOUTH [vortex] RUNS THE MOUSE, AND FLIPS THE HOUSE [turns the system over).
- Froggy Went a Courtin’ He did Ride
- Hickory, Dickory Dock
- I had a little pony
- I’m in Love With a Big Blue Frog
- Jack and Jill
- Mary Had a Little Lamb (call to ritual connotation)Tones of “Mary had a little Iamb” or other telephone created tones, such as high pitched noises to call people to meetings.
- Mary Mary Quite Contrary (reminds the slave that abusers are all-seeing)
- Old King Cole (Old King Cole was a merry old soul, . . . he’d call for his masters 3 [the 3 programmers])
- Peter, Peter Pumpkin Eater
- Puss in Boots (this story is porn programming)
- Ring Around the Rosy
- Ten Little Monkeys Jumping on the Bed
- Three Blind Mice (omega programming connotation with hour glass)
- Twinkle, Twinkle Little Star (Sometimes associated with “I’m dead.”)
(Most of the Beatles’ songs were used for programming. Charles Manson was programmed with Beatles’ music. The programmers know ahead of time what are going to be the next hits, and they regularly call in slaves and hypnotically make the lyrics to be cues for the slaves before the music comes out. For instance, the lyrics of “Ain’t that a Shame” will make certain alters angry. For another slave the lyrics “Everything is relative, in its own way” reminds the person of the cult family & obedience.)
- Angie (popular song for programming)
- A Mighty Fortress is Our God
- Back in Black Blue Velvet
- The Candyman Can (Candyman represents drug use for Monarchs, plus other things.)
- Christmas Carols (Christmas carols were used a lot on Monarchs.)
- Country Roads (song with the programmed meaning take me [the slave] “home” to a meeting site.)
- Crazy (to reaffirm loyalty to the master)
- Deja Vu
- Die Walkure
- Fire and Rain
- Frere Jacques (Catholic “Father John”, sexual abuse connotation)
- Get Me A Ticket on a Fast Train (substitute “master” for “baby” in song)
- Grandma’s Feather Bed
- Ghost Riders
- Green Green Grass of Home (go home program, slave is not happy ’til they go home to green fieldsGreensleeves
- Hallelujah chorus (many Christian songs like this one are played while the victim is tortured.)
- Handel’s Messiah
- Have Thine Own Way Lord (“thou art the potter, I am the clay, mold me & make me…” III. Charismatic slave programming.)
- Heartache Tonight (song used to announce a ritual over the radio)
- Hotel California (sexual/ritual connotation, the song says, “go to the chamber of the Master’s Feast, We are programmed to receive.” This song also tells the story of how LaVey started the Church of Satan in 1966.)
- I Surrender All
- Imagine (John Lennon presents the New Age script for people to be “nowhere people.”)
- John Brown’s Body
- Lucy In the Sky with Diamonds
- Little Red Riding Hood (song played with hunts of slaves)
- Mary was an only child (from Art Garfunkel’s Angel Claire album)
- Moon River
- Over the Rainbow (obvious Wizard of Oz programming)
- Playing with the Queen of Hearts, knowing that it really smarts, the Joker is the only fool who’ll do anything with you” (reinforces the warning not to play (tamper) with the programming. The Queen of Hearts is the emergency Mayday signal to a handler. To play with this will really smart-hurt.
- National Anthem
- No More Mr. Nice Guy191
- Revolution 9
- Rivers of Dreams (by Billy Joel. words are about “walking in the dark, going through a river.. .turn on the light on your internal world.”
- Satin Sheets
- She’s Leaving Home
- Sins of the Fathers
- Southern Nights (loyalty to the programs–the leaves and trees)
- Stairway to Heaven
- Teddy Bear (Programmer, helpless teddy bear slave connotation)
- Tennessee Waltz (handler is “forced” to prostitute slave)
- The Blood Will Never Lose Its Power
- Tom Dooley (suicide, “hang down your head Tom Dooley, hang down your and…)
- Victim of Love
- When you wish upon a Star
- White Rabbit (Alice In Wonderland Theme–made into a triggering Karaoke CD.)
- Wooden Heart
- Yellow Submarine (drug connotation)
Zeta is the sixth letter, and it’s ancient meaning was a sacrifice.
These codes are purely a representative model-not any particular real system. The overall system code at times consists of [birthdate + programming site codes + birth order + number of generations family was in the Illuminati.]
For our hypothetical system Mary we have the hypothetical system code of:
6-13-51- 14 -02- 12. In order to give the codes for a hypothetical alter system we will have to explain some things as we go.
The Programmers have for each slave both medical programming files, and a grey or black binder with the programmed access, trigger, codes & cues, & structure. A typical Illuminati system will be a cube (although spheres and pyramids are also used).
The principle alters will be the “a” alters. A typical section of alters will consist of a 13 x 13 grid of alters. These are alters who live in a world together and must function together. A 13 x 13 section will have 13 families of “a” through “in” alters. The “a” alters will be the primary alters that the Programmers will interact with.
The Programmer may call up an “a” alter and ask it to go get the “c” alter in its family, rather than directly asking for it. This initial page of alter codes will be the primary or “a” alters. If we are dealing with a 13 x 13 x 13 cube of alters, then the initial page has 13 “a” alters of each section.
Each of these alters will have an access code which will often include the following components: An Assigned Color + An Alpha Numeric Code + A Personalized Magical Name. This will equal 1/3 their access code.
These code words must be repeated three times to pull the alter up. However, if an alter is trained well, and hears his master’s voice, an alpha-numeric code can pull the alter up.
For many of the alters, the reversal of their access code puts them back to sleep. This is an important point, because some alters would be dangerous to leave in control of the body. The “a” alters are regular alters. Many of them have been hypnotically age advanced to see themselves as teenagers or adults. Sometimes “b” and “c” alters are also aged. The “d” through “n” alters are generally left as they were split and most of them are infantile, with little concept of how old they are.
The little ones will be the ones who often remember the programming very well, and know things about the system. The top alters will also sometimes receive personal names from their handler. This is in addition to all their codes. If the alter is responsive to its master, the personal name might pull the alter up too. Do all of the alters get charted?
There are several groups of alters which get charted separate from the rest or don’t get charted at all. Because of the competition and distrust between the different programmers, they often place in secret back doors into the person’s mind that only they know about. Worlds of secret alters loyal and devoted to the programmer may be built into the system and not appear on the regular charts. The core, and some of the primal splits from the core will not appear on the regular grids. They will be placed on a separate sheet, and their codes will be in some magical language.
The Illuminati commonly employs 20 magical languages, and Hebrew, Latin and Greek are also often used for charting the core and its primal splits. Enochian is a good example of a magical language used by the Illuminati.
Some alters will be created solely by the slave in order to cope with life. For instance, say the slave is travelling with someone who is not a handler, but who is a dangerous person. This dangerous person murders several people and forces the slave to help. The slave is likely going to have front alters out, and they are simply going to have to create new alters to meet the demands of the situation. These alters made to deal with one-time emergency will just slip into cracks in the system.
Lots of odds and ends alters end up in the nooks and crannies within a system just detached and floating. The programmers and the victim work hard at structuring and cleaning up things–but the honest truth is that trauma-based mind-control is messy. Any time you shatter someone’s mind into thousands of pieces with horrendous torture, you have a shattered mess, in spite of the good fronts that the programmers are able to construct.
Some of the more elaborate access methods are for alters that are not on the “a” chart. Hour glass alters have entire sentence access codes. Deaf & blind alters need their access code signed on their hands by moving their fingers up and down, etc. End time alters may have access codes that may entail reading an entire page. Reporting alters are often small children, that are hidden in each section, and may require slaps to the face or jabs with a needle to pull them up. Spinner kittens will be accessed via their mama cat, who acts like a Madam in a “cat house”. The codes for this was given in the Beta section codes.
The reader will be given the hypothetical codes (which resemble closely the actual codes of an actual scenario) for our hypothetical Mary.
A Sample Chart of the “A” alters–these are the primary alters– has been prepared here in the same fashion as it would appear in the handler’s 3-ring binder.
Mary’s Core Protector 1 will have a shutdown code of “REVERSAL 1 BEGINNING” and the second Core Protector will have the shutdown code of “REVERSAL 2 CREATION”. Of course, these codes are said 3 times.
The first three alters on the far left section at the top of the chart are Silences who can be woken up by singing. Also at least one of these, will wake up by a kiss from the prince (programmer) to the third eye area. The first alter can be shut down by “COSMOS 15 31 06 2BAB PINK”. One of the groups of alters attached to one of these early alters is “MA.C3.10-53 Rejects (7) 10-53”. To shut this alter(s) down just say the reverse of the access code.
A mirror image of each of these alters exists too. The mirror images can be pulled up via a three step process.
The birth memory in our example will be coded as A5 10 79. The spider torture memories that are attached to these alters is A5 10 79. The reader will notice the following on the hypothetical chart on the previous page for the first Section (which is numbered 6 to be deceptive): This section is front alters.
Basic code pattern = color + Genesis + no. [1 thru 13] + letter [a thru m]. Individual codes 1st section general-“N.I.F.6”, 1st section mother Eve “EV.E5 10 51 ACE” (Eve is the balancing point & the ace code is high or low). The alter Explorer is “EI.G7”, Mammy “MI.H8”, Angel “Red, AI.19 Jack Genesis 4” (or it could be done “red, AI.J10 Genesis 4”), George “Silver, GI.K11 “, Zsa Zsa “gold, ZI.L.12”, and Shadow “Clear SI.M13”.
You won’t find on the main chart codes such as: Eve’s memory “EI.D5.2.1952 ACE” or the Infant alters– “1-000 10-49 REJECTS 3-9” The master may say for example: “Green GENESIS 1-A” (3 times) to get this alter which is the balancing point.
Fragments/dead alters were dumped into areas named concentration camps and given the names of the famous german concentration camps. The camps were placed under the Mt. of Olives. Fire or Bomb children are found throughout the system and are triggered to come up by programming. They come up behind other alters and make them burn. Some of this level can be woken up by saying, “It’s time to wake up in the morning” (7 times), which is in contrast with most codes which are said 3x.
Another way to look at it, is that the alters are on 4 dimensional structure and they require a 4-dimensional access code. Height, depth, width, and color are the four dimensions. This breaks down for this 1st section as: COLOR (4th dimension) + Genesis (Section code) +1 (level) + “a” (depth).
The following message will be used on the phone for this System’s recording machine, this example has been used nationally. “IF YOU WOULD LIKE TO MAKE A CALL PLEASE HANG UP AND TRY YOUR CALL AGAIN. IF YOU NEED ASSISTANCE, PLEASE DIAL YOUR OPERATOR. CODE 911.” This will cause section 1 or section 2, etc. to call their master. Also, standard Illuminati Hand signals work with Mary. “ALONE AND CRYING (3X)”- is a code for a few special parts not on the first grid.
Section 2 gatekeeper alters. Basic code pattern color + Revelation + no.[1 thru 13] + letter [a thru m] In our hypothetical example: “ORANGE REVELATION 4-A” (3X) However a shortcut is “REVELATION 4” and the primary Revelation 4 alter will come up. “ORANGE REVELATION 4 B” would get a small child on the pedestal with Revelation 4a.
At times the handler will say “THE DECK IS DOUBLE-DECKED” in order to activate the clone doubles of all alters in a particular area–such as the front area of the system. The clones are tied to the Pink Room of the dollhouse-looking computer. Since alters are also coded to cards, a FLUSH will pull up an entire section. Special alters who skinned men alive are kept in black holes in Section 2. They are special trauma alters created solely by the victim as a safety measure.
Section 2 computer (like all levels) is empowered by an emerald blue light. This power source was deactivated by unscrewing the light to the left (which took it physically out so to speak) and then saying “PEACE BE STILL” (3X). If “PEACE BE STILL” is not said three times then the War in the heavens program kicks in. Also “DAD WEEPS OVER HIS CITY” must be said when deactivating the computer otherwise the “children” (alters) become sick and everything kicks back in–which it does eventually anyway if the deeper computers are not deactivated or taken out.
Section 3 has programmer alters & fragment armies, not to be confused with the clones which hide everywhere. The clones, by the way, can be identified with serial no.s at base of head gear such as 151.00 [system birth date]. This sections has 3 faceless Programmers called the 3 adepts of Atlantis. Each of them has a different color of hair. They may also be the commanders of armies–the commanders of the Egyptian armies have names Ra, Horus, and Set. Section 4 alters are Entertainment alters. Basic code pattern = Color + double number + a name of a one of the 13 tribes of Israel + the number of the alter again (3x)
Example: BLUE 2001-13A REUBEN 1 (3X) However, the color doesn’t always need to be said it is a sufficient shortcut to call the alphanumeric code three times. Second example 2002-12A SIMEON 1 (3X). The numbers of the 2000 code go up while the corresponding number 13 to 1 go down. In other words it is a double code. The Tribal names are arranged according to their Biblical birth order.
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